![]() "Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" - The Modern Reviewĭo the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." -Andrea Walsh, The Boston Globe "Carol Clover's compelling challenges simplistic assumptions about the relationship between gender and culture. ![]() ![]() argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look." -Linda Ruth Williams, Sight and Sound ![]() Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. ![]() " brilliant analysis of gender and its disturbances in modern horror films. ![]()
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